The James Logan Courier

By Billy O'Keefe
McClatchy-Tribune (MCT)

Is it possible to be both a mostly excellent game and a big letdown? It sure is, and "F.E.A.R. 3" — the arguably misnamed fruits of a game in development since before "F.E.A.R. 2" released — stands as enjoyable, aggravating proof.

First things first: the story. Because of "F3's" unusual development experience — look it up if you're curious about the reasons and means — it feels more like a continuation of the original "F.E.A.R." than its sequel. The game opens a big window into the tormented origins of the first game's chief protagonist and antagonist, but if you're hoping for a payoff on the second game's cliffhanger, you'll mostly be stifled until the very end.

Far more jarring than any of this, though, are the changes new developer Day 1 Studios has made to the core "F.E.A.R." gameplay, which is known as much for its pristine enemy intelligence and creepy atmosphere as its unique storyline.

From wikipedia:

Beah Richards (July 12, 1920 – September 14, 2000) was an American actress of stage, screen and television. She was a poet, playwright and author.

Born Beulah Richardson in Vicksburg, Mississippi, her mother was a seamstress and PTA advocate and her father was a Baptist minister. In 1948, she graduated from Dillard University in New Orleans and two years later moved to New York City. Her career started to take off in 1955 when she portrayed an eighty-four-year-old-grandmother in the off-Broadway show Take a Giant Step. She often played the role of a mother or grandmother, and continued acting her entire life. She appeared in the original Broadway productions of Purlie Victorious, The Miracle Worker, and A Raisin in the Sun.

Watch an excerpt from Beah: A Black Woman Speaks, free from youtube.com