The James Logan Courier

MISCELLANEOUS
Attention all students: The Attendance Office is no longer located at the windows in the front office. If you have an attendance issue, report to your House Office.

Parking: Student parking is in the swim center lot, in the spaces marked by white lines only. Parking permits are available at the Main Office window, during posted hours. There is limited staff parking in the new lot next to the Performing Arts Center. Please park in your designated spots. Example: Clerical is reserved for clerical employees only. There are a number of generic staff spots.

All students: If you were issued a locker and you don’t want it or won’t use it, please turn it in to Mrs. Whitaker in the Main Office.

It's a Lulu by Lulu Zhong, Courier Graphics Editor

From wikipedia:
Larry Neal or Lawerence Neal (September 5, 1937 – January 1981) was a scholar of African-American theatre. He is well known for his contributions to the Black Arts Movement of the 1960s and 1970s.

Neal was born in Atlanta, Georgia. He graduated from Lincoln University in 1961 and received a master's degree in 1963 from the University of Pennsylvania. From 1968 to 1969, Neal taught at the City College of New York. The following year he taught at Wesleyan University. He taught at Yale University from 1970 to 1975. Neal is known for working with Amiri Baraka to open the Black Arts Repertory Theatre/School. His early writings—including "The Negro in the Theatre" (1964), "Cultural Front" (1965), and "The Black Arts Movement" (1968)—were influential in defining and describing the role of the arts in the Black Power era. His essays and poems appeared in publications such as Liberator, Drama Critque, Black Theatre, Negro Digest, Performance, and Black World. He also uncovered Ed Bullins's plagiarism of Albert Camus's play The Just Assassins. Neal died from a heart attack in 1981.

Read more about Larry Neal and his books at the African American Literature Book Club.